Starter Tome
Having stalled in my effort to finish a book whose first line isn't "In the great green room there was a telephone and a red balloon," I decided over the Thanksgiving weekend to put down Dashiell Hammett's entertaining but somewhat slow The Thin Man and pick up the latest from his imitator Robert B. Parker. Parker's Spenser novels are quick reads -- short paragraphs, short chapters, and too-familiar characters and plotlines allow you to storm through them in a couple of days. My hope was that reading the newest, Bad Business, would kick-start my reading habit and propel me into more meaningful books.
Bad Business is strictly standard-issue Spenser; it's Parker's take on the Enron scandal, with murder and wife-swapping (no, really) thrown in for good measure. There's really nothing at all surprising about it. The more Parker writes, the less interesting the virtuous Boston P.I. and his cohorts become. The earlier books featured a more flawed and interesting protagonist -- a wiseguy who sometimes failed in his work and showed some personal stumblings as well. Now we get the same-old, same-old, every time out: Spenser, still possessing an impossible combination of smarts, wit, toughness, culture, and looks; Susan Silverman, eternally dazzling -- essentially Spenser's female doppelganger; and Hawk, menacing yet cultured, incapable of screwing up. The recurring characters seemingly never change, and the tertiary characters, the new ones that show up in each book, are straight out of central casting. It's a shame that Parker is mailing in the Spenser books, because he clearly still has some good writing in him, as his Jesse Stone novels show.
The comparison between Spenser's work and that of Hammett is interesting. Thin Man's focus thus far -- I'm about halfway through -- isn't the murder that Nick Charles is investigating, but the alcohol-saturated, speakeasy-fueled good life that he and his wife, Nora, live. Nick isn't as macho as Spenser, but certainly as quick-witted; Nora is less sophisticated than Susan, but as attractive and more interesting. There are no bald, African-American sidekicks to be found; Hammett wrote 70 years ago, after all. We'll see if at all keeps up.
The holiday is over. Time to get serious after the nice diversion. So here's hoping that Bad Business turns out to be, if nothing else, at least a good catalyst.

