The daily minutiae of the baseball season has kept me from writing long reflections on recent movies, books, and television I've taken in, so below you'll find some quick thoughts.
Layer Cake
Daniel Craig's nameless protagonist is a midlevel drug dealer who is much more businessman than thug. His sole desire is one last big score before leaving the game for good, but of course these things never work out quite so easily. Craig's charismatic, unforced performance anchor the movie, a charming and competently made entry in the recent spate of lighthearted British gangster films. (***1/2)
Mr. 3000
"When a recently discovered scorer's error reveals he's three hits shy of 3,000, Stan Ross returns to the Milwaukee Brewers after nine years of retirement to collect his hits and ensure his spot in the Hall of Fame." No, it's not an amiable Disney vehicle for Bruce Willis. Ross, you see, is a Grade A prick, a hugely self-centered and unlikable player who discovers that the game found it far easier to forget him and move on than he ever would have thought. Bernie Mac plays Stan with just the right amount of fading bravado, and the movie, though trifling, earns points for offering us such a flawed lead, for trying to add depth to the kind of character that's usually paper-thin, and for its outstanding, realistic baseball scenes. (***)
Eternal Sunshine of the Spotless Mind
The Charlie Kaufman arsenal is well stocked here: maladjusted male lead, free-spirited female lead, fantastical delvings into the characters' thought processes, pitch-perfect supporting players. But whereas Being John Malkovich and Adaptation played things for laughs, Eternal Sunshine has a far more wistful and evocative quality, as if Kaufman has finally grown up. Jim Carrey delivers another deft dramatic performance as a guy so burned by his last relationship that he undergoes a procedure to eradicate all memory of it. Kate Winslet, sparkling as usual, is the ex he's trying to forget, and there are great supplementing turns by Kirsten Dunst, Tom Wilkinson, Mark Ruffalo, and Elijah Wood. (****)
The Tipping Point
Among the many fascinating tangents Malcolm Gladwell gleefully wanders off on in his immensely intriguing and thought-provoking book is a defense of the Band-Aid. Gladwell's thesis is that sweeping, important changes can be effected by seemingly insignificant causes. The Band-Aid, derided as a cheap and temporary solution, is a model worth emulating, he argues: inexpensive, easy to use, and very effective. Gladwell relies too much on seemingly intuitive opinions instead of peer-reviewed research, but his persuasive concluding chapter make a strong case for his views. (****)
Lost
ABC advertised the season finale of its freshman hit as the episode that would finally answer everyone's questions, but about the only substantive thing revealed was what Claire named her baby (Aaron, if you're interested). The various cliffhangers and unanswered questions are completely understandable, of course -- a rescue wouldn't leave much to say in Season 2, after all. As the castaways' various backgrounds -- told adroitly in entertaining flashbacks -- become clearer, we're left wondering just why these people lives have converged in such a perilous way, and just what the hell is up with this very strange, creepy, and dangerous island. Sophomore year should be fun. (Season finale: ***; season: ****)